Malibu Media Pornographic BitTorrent Copyright Infringement Cases in the Alexandria Division of the United States District Court for the Eastern District of Virginia

From June 11, 2014 through June 17, 2015, the pornography copyright holder Malibu Media filed 241 pornographic BitTorrent copyright infringement cases in the Alexandria Division of the United States District Court for the Eastern District of Virginia (the “EDVA”). Malibu Media is such a prolific litigant that in 2014 it was the plaintiff in 1,705 copyright suits, which constituted over 41.5% of all copyright suits nationwide. Sag, Matthew, IP Litigation in United States District Courts: 1994 to 2014 (February 26, 2015). Iowa Law Review.

Since 2011, McClanahan Powers and its attorneys have defended hundreds of defendants in BitTorrent copyright infringement lawsuits throughout the United States against a variety of copyright holder plaintiffs. In an effort to assist Virginia residents finding themselves as a potential defendant in an infringement case filed by Malibu Media in the EDVA, McClanahan Powers will periodically update this specific posting to list cases by case number filed in the EDVA as of June 18, 2015. A more thorough introduction of Malibu Media and pornographic BitTorrent copyright infringement cases can be read in The Pornography Copyright Troll: Sword of Antipiracy or Abuse of Antiquated Law.

Cases filed June 18, 2015:

  • 1:15-cv-00771-GBL-IDD
  • 1:15-cv-00772-TSE-TCB
  • 1:15-cv-00773-CMH-IDD
  • 1:15-cv-00774-LO-MSN
  • 1:15-cv-00775-LO-JFA
  • 1:15-cv-00776-GBL-TCB
  • 1:15-cv-00777-CMH-IDD
  • 1:15-cv-00778-AJT-JFA
  • Cases filed July 2, 2015:

  • 1:15-cv-00850-TSE-TCB
  • 1:15-cv-00851-AJT-IDD
  • 1:15-cv-00852-LMB-JFA
  • 1:15-cv-00853-AJT-MSN
  • 1:15-cv-00854-LMB-TCB
  • 1:15-cv-00855-GBL-IDD
  • 1:15-cv-00856-LMB-MSN
  • 1:15-cv-00857-TSE-JFA
  • 1:15-cv-00858-LO-TCB
  • 1:15-cv-00859-GBL-JFA
  • 1:15-cv-00860-LO-TCB
  • 1:15-cv-00861-CMH-MSN
  • 1:15-cv-00862-CMH-IDD
  • 1:15-cv-00863-GBL-TCB
  • 1:15-cv-00864-TSE-MSN
  • 1:15-cv-00865-LMB-JFA
  • 1:15-cv-00866-LMB-IDD
  • Cases filed September 8, 2015:

  • 1:15-cv-01147-CMH-TCB
  • 1:15-cv-01148-GBL-JFA
  • 1:15-cv-01149-LO-MSN
  • 1:15-cv-01150-LO-TCB
  • 1:15-cv-01151-TSE-IDD
  • 1:15-cv-01152-LMB-MSN
  • 1:15-cv-01153-GBL-IDD
  • 1:15-cv-01154-LMB-TCB
  • 1:15-cv-01155-AJT-JFA
  • 1:15-cv-01156-CMH-IDD
  • 1:15-cv-01157-LMB-TCB
  • 1:15-cv-01158-AJT-MSN
  • 1:15-cv-01159-LO-JFA
  • Cases filed September 25, 2015:

  • 1:15-cv-01230-LMB-JFA
  • 1:15-cv-01231-TSE-MSN
  • 1:15-cv-01232-GBL-JFA
  • 1:15-cv-01233-CMH-TCB
  • 1:15-cv-01234-LO-IDD
  • 1:15-cv-01235-GBL-JFA
  • 1:15-cv-01236-AJT-MSN
  • 1:15-cv-01237-CMH-TCB
  • 1:15-cv-01238-TSE-IDD
  • Cases filed December 3, 2015:

  • 1:15-cv-01611-AJT-MSN
  • 1:15-cv-01612-TSE-IDD
  • 1:15-cv-01613-GBL-TCB
  • 1:15-cv-01614-CMH-IDD
  • 1:15-cv-01615-LMB-MSN
  • 1:15-cv-01616-CMH-TCB
  • 1:15-cv-01617-CMH-JFA
  • 1:15-cv-01618-GBL-JFA
  • 1:15-cv-01619-AJT-TCB
  • 1:15-cv-01620-AJT-MSN
  • Cases filed December 31, 2015:

  • 1:15-cv-01724-AJT-TCB
  • 1:15-cv-01725-GBL-MSN
  • 1:15-cv-01726-LMB-JFA
  • 1:15-cv-01727-LO-IDD
  • 1:15-cv-01728-LMB-TCB
  • 1:15-cv-01729-GBL-JFA
  • 1:15-cv-01730-TSE-MSN
  • 1:15-cv-01731-TSE-IDD
  • 1:15-cv-01732-LO-TCB
  • 1:15-cv-01733-AJT-MSN
  • 1:15-cv-01734-CMH-JFA
  • 1:15-cv-01735-LMB-TCB
  • Cases filed March 8, 2016:

  • 1:16-cv-00245-LO-JFA
  • 1:16-cv-00246-TSE-TCB
  • 1:16-cv-00247-TSE-IDD
  • 1:16-cv-00248-TSE-MSN
  • 1:16-cv-00249-CMH-JFA
  • 1:16-cv-00250-CMH-IDD
  • 1:16-cv-00251-GBL-TCB
  • 1:16-cv-00252-AJT-MSN
  • 1:16-cv-00253-GBL-IDD
  • 1:16-cv-00254-CMH-JFA
  • 1:16-cv-00255-TSE-TCB
  • 1:16-cv-00256-GBL-MSN
  • 1:16-cv-00257-AJT-JFA
  • 1:16-cv-00258-LO-TCB
  • Cases filed April 5, 2016:

  • 1:16-cv-00380-AJT-MSN
  • 1:16-cv-00381-GBL-MSN
  • 1:16-cv-00383-CMH-TCB
  • 1:16-cv-00384-AJT-TCB
  • 1:16-cv-00386-GBL-IDD
  • 1:16-cv-00387-TSE-MSN
  • 1:16-cv-00388-TSE-JFA
  • 1:16-cv-00389-CMH-IDD
  • Cases filed October 6, 2016:

  • 1:16-cv-01267-CMH-MSN
  • 1:16-cv-01268-CMH-IDD
  • 1:16-cv-01269-TSE-JFA
  • 1:16-cv-01270-AJT-MSN
  • 1:16-cv-01271-LMB-TCB
  • 1:16-cv-01272-JCC-JFA
  • 1:16-cv-01273-LO-JFA
  • 1:16-cv-01274-AJT-IDD
  • 1:16-cv-01275-AJT-MSN
  • Cases filed February 16, 2017:

  • 1:17-cv-00192-AJT-JFA
  • 1:17-cv-00193-LO-TCB
  • 1:17-cv-00194-LO-IDD
  • The Pornography Copyright Troll: Sword of Antipiracy or Abuse of Antiquated Law?

    A “copyright troll” should not be confused with a “patent troll”.

    A Patent Troll is somebody who tries to make a lot of money off a patent that they are not practicing and have no intention of practicing and … [have] never practiced. Overstock.com, Inc. v. Furnace Brook, LLC, 420 F. Supp. 2d 1217, 1218 (D. Utah 2005) aff’d, 191 F. App’x 959 (Fed. Cir. 2006). Representative Howard Berman stated that patent trolls have a “negative effect on innovation” and spoke of countless situations in which patent holders, making no effort to commercialize their inventions, lurk in the shadows until another party has invested substantial resources in a business or product that may infringe on the unutilized invention. The patent troll then steps out of the shadows and demands that the alleged infringer pay a significant licensing fee to avoid an infringement suit. Id.

    A Copyright Troll is an owner of a valid copyright who brings a copyright infringement action “not to be made whole, but rather as a primary or supplemental revenue stream.” James DeBriyn, Shedding Light on Copyright Trolls: An Analysis of Mass Copyright Litigation in the Age of Statutory Damages, 19 UCLA Ent. L.Rev. 79, 86 (2012). Third Degree Films v. Does 1-47, 286 F.R.D. 188, 190 (D. Mass. 2012).

    With the evolution of technology, copyright infringement has become a true concern for many copyright holders. According to the Recording Industry Association of America (RIAA), since peer-to-peer (p2p) file-sharing site Napster emerged in 1999, music sales in the U.S. have dropped 53 percent, from $14.6 billion to $7.0 billion in 2013. As Napster was a plague to the music industry as alleged by RIAA, its technological successor, BitTorrent, has become a plague to the movie industry. And just as p2p software has evolved from Napster to BitTorrent, the copyright troll has evolved with technology, specifically, the entrance of pornography copyright trolls. With the cost of production arguably low in many pornographic works, the potential profit margin through litigation as a primary revenue stream may be huge.

    Since 2011, pornography copyright holders, such as plaintiffs’ K-Beech, Patrick Collins, First Time Videos, and Malibu Media, have filed thousands of cases throughout the United States. As early as 2013, Courts around the country were becoming troubled by the rise of so-called “copyright trolls” in the adult film industry, who file mass lawsuits against anonymous Doe defendants with the hopes of coercing settlements. Malibu Media, LLC v. Brenneman, No. 3:13-CV-00332-PPS, 2013 WL 6560387, at *2 (N.D. Ind. Dec. 13, 2013). President Obama has personally condemned the practice of copyright trolls and patent trolls clogging the courts and Chief Federal Circuit Judge Randall Rader, in a New York Times article, made similar comments. Some law firms and lawyers representing these plaintiffs, such as Prenda Law, have even faced sanctions and ethical issues which could place at risk their ability to practice law.

    Many pornography copyright holders have ceased their role as pornography copyright trolls, likely given the pushback by Courts; John Doe defendants; the Blogosphere, including websites such as Fight Copyright Trolls and Die Troll Die; and the Electronic Frontier Foundation. However, many so called copyright trolls still remain.

    Of the most prevalent of the remaining pornography copyright holders utilizing litigation as a primary or supplemental revenue stream is Malibu Media doing business as Xart.com (caution: adult content). Malibu Media has filed over a thousand copyright infringement lawsuits throughout the United States against John Doe defendants and continues to file these lawsuits on a rolling basis, typically against one defendant IP address that has allegedly uploaded one or more bits of multiple movies to Malibu Media’s investigators through BitTorrent, or through another software program utilizing similar technology.

    Malibu Media typically requests “statutory damages” as an award of damages pursuant to the Copyright Act, specifically 17 U.S.C. § 504(c)(1). Such “statutory damages” fall between $750.00 and $30,000.00, but can be increased in the court’s discretion up to $150,000.00 if the court finds that the infringement was committed willfully and reduced to $200.00 if the court finds that the infringer was not aware and had no reason to believe that his or her acts constituted an infringement of copyright. 17 U.S.C. §504(c)(2).

    When Congress drafted this language, it is likely that it did not contemplate that an individual would use technology such as BitTorrent to quickly transfer bits of a whole movie or music file for personal use and the result be an infringement upon a copyright holder’s exclusive rights. Rather, it is much more likely that Congress contemplated that a corporation, or other party with substantial assets, would be the tortious actor infringing upon another corporation’s exclusive rights in a copyright. Other than a fair use defense, which is still a bit of a grey area, there is no carve out for personal use by an individual in the United States for copyright infringement and may be one of the many reasons there is a push for reformation of present U.S. copyright laws.

    Multiple questions still remain.

  • Are pornographic copyright holders being forced into litigation?
  • Is this the only way they can to survive and fight the onslaught of widespread piracy?
  • Are they the sword of antipiracy?
  • —OR—

  • Are pornographic copyright trolls abusing, now antiquated, copyright laws?
  • Should pornographic copyright trolls receive a windfall of damages under these laws?
  • Are these laws in immediate need of reformation?
  • According to a comment posted by an anonymous individual on the Fight Copyright Trolls Blog, Malibu Media typically requests $750.00 per copyrighted movie title as settlement. Unfortunately for Malibu Media, U.S. Federal Judge Sheri Polster Chappell set some unwelcoming precedent for Malibu Media just three days ago in a default judgment decision which consisted of forty-seven (47) alleged infringements, awarding Malibu Media only $6,000.00 in statutory damages, despite Malibu Media’s request for $1,500.00 per work in statutory damages, double the statutory minimum, or $70,500.00, exclusive of attorney fees. This award of $6,000.00 in statutory damages amounted to roughly $127.66 per work.

    Judge Chappell used Countryman Nevada, LLC v. Adams, No. 6:14-cv-491-Orl-18GJK, 2015 WL 574395, at *7 (M.D. Fla. Feb. 11, 2015) as a basis for determining the statutory damages, stating that Malibu Media’s request for $70,500.00 would provide Malibu Media a windfall and therefore is not warranted here. Clever Covers, Inc., 554 F. Supp. 2d at 1313 (“statutory damages are not intended to provide a plaintiff with a windfall recovery.”). It will be interesting to see whether or not other federal courts adopt a similar ruling to that of Judge Chappell’s ruling and how this ruling will effect settlement negotiations between Malibu Media and its defendants moving forward.

    Since 2011, McClanahan Powers has defended hundreds of defendants in torrent copyright infringement lawsuits throughout the United States against a variety of copyright troll plaintiffs. Please email us through our website to inquire into how the firm may be able to assist you.